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To mark the 50th anniversary of the publication of Robert Venturi’s Complexity and Contradiction in Architecture (1966), The Museum of Modern Art and the University of Pennsylvania have co-organized a three-day symposium bringing together international scholars and architects to discuss the significance and enduring impact of this remarkable book, published by MoMA 50 years ago in.
Complexity and Contradiction in Architecture became a rallying point for young architects around the world who had become disillusioned with the stylistic limitations of the International Style. In effect, the book provided a manifesto for the Post-Modern movement in architecture. The ideas in Complexity and Contradiction were given concrete form in Venturi's earliest buildings, including his.
Knowing that Complexity and Contradiction had originated in the thesis Venturi completed while himself a student at Princeton, I felt myself interpellated into a genealogy of architect-scholars who absorbed the heritage of European architecture by living amid its epigones, and I recognized the campus as a habitus rich in what I was learning to call cultural capital. A key dimension of that.
Essays by leading architecture historians and critics—a number of which were presented at a conference co-organized by The Museum of Modern Art to celebrate the fiftieth anniversary of Complexity and Contradiction in 2016—address issues such as the circumstances of the book’s publication, its prose style, and its relationship to Venturi’s own built work, or reflect on broader themes.
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Robert Venturi (1925-2018) has been described as one of the most original talents in contemporary architecture. He has also been credited with saving modern architecture from itself. He has done this by being eloquent verbally with his writings and visually with the appearance of his buildings. Like other Pritzker Architecture Prize Laureates before him, he is a writer, a teacher, an artist.
First published in 1966, Robert Venturi’s Complexity and Contradiction in Architecture is widely considered a foundational text of postmodernism and has become an essential document in architectural theory and criticism.